Sony OXF-R3 User Manual

OPERATION MANUAL [English]1st Edition (Revised 4)Software Version 3.0 and LaterDIGITAL AUDIO MIXING CONSOLEOXF-R3

6 About This ManualAbout This ManualConventions used in this manualThis manual uses the following conventions:Chapter 3, Section 10Subsection 5within

4-40 Chapter 4 Signal PathsChapter 4 Signal Paths4-13 Multi-Stem Set-up14-13-3 Multi-Stem Source ChannelsSetting up source channels1 Select MULTI i

Chapter 4 Signal Paths 4-41Chapter 4 Signal Paths11 MT SEND Push-ButtonSets the faders in the channels sections to control the level of theMultitrack

4-42 Chapter 4 Signal PathsChapter 4 Signal Paths4-13 Multi-Stem Set-upMulti-Channel routing and surround panningINSERTACCESSSOURCEMULTITRACKAFLLEVE

Chapter 4 Signal Paths 4-43Chapter 4 Signal PathsMulti-Channel routing and surround panningThe following applies to the channels which are the source

4-44 Chapter 4 Signal PathsChapter 4 Signal Paths4-13 Multi-Stem Set-upBehaviour of Routing in general.The routing options and behaviour vary consid

Chapter 4 Signal Paths 4-45Chapter 4 Signal Paths• Selecting more than two buttons in the MULTI-FORMAT section 2The track buttons, from 1-48, mapped

4-46 Chapter 4 Signal PathsChapter 4 Signal Paths4-13 Multi-Stem Set-up123Automation switches for the Motorised Joysticks1 ABS Push-ButtonUsed to se

Chapter 4 Signal Paths 4-47Chapter 4 Signal PathsRouting and monitoring a signalOnce the set-up operations described earlier in this section have bee

4-48 Chapter 4 Signal PathsChapter 4 Signal Paths4-13 Multi-Stem Set-up7894561023F1 F2 F3 F4 F5 F6 F7 F8SETFKEYPRINTREDOALLUNDOALLREDOUNDODELETE COP

Chapter 4 Signal Paths 4-49Chapter 4 Signal PathsSTEM monitor switch functions1 SENDS Push-Button(s)Selects the sources being sent to tape for its st

About This Manual 7Related manualsIn addition to this operation manual, the followingmanuals are available for the OXF-R3:• Installation Manual• Servi

4-50 Chapter 4 Signal PathsChapter 4 Signal Paths4-13 Multi-Stem Set-upFrom the OXF-R3 LOGO page, click on M/STEM to view the MULTI-STEM SET-UP GUI.

Chapter 4 Signal Paths 4-51Chapter 4 Signal PathsHOLD button(s)Clicking on and highlighting in red any of the HOLD buttons in the GUIwill cause the c

4-52 Chapter 4 Signal PathsChapter 4 Signal Paths4-13 Multi-Stem Set-upGeneralThe two Fold-Down GUIs allow control of the levels for the fold-down o

Chapter 4 Signal Paths 4-53Chapter 4 Signal PathsDefaultsThe Defaults are defined in the start-up Config. File settings.HF FilterA low pass filter is

Chapter 5 Control Screens 5-1Chapter 5 Control ScreensChapter 5 – Control ScreensChapter 5 Contents5-1 The Master Control Screens...

5-2 Chapter 5 Control ScreensChapter 5 Control Screens5-1 The Master Control ScreensNotes:5-1 The Master Control ScreensThis suite of screen pages is

Chapter 5 Control Screens 5-3Chapter 5 Control ScreensControl Screens structure (1)MIXESSYSTEMSYSTEMSYSTEMPROJECTSSYSTEMSYSTEMSYSTEMPROJECTSPROJECTSP

5-4 Chapter 5 Control ScreensChapter 5 Control Screens5-1 The Master Control ScreensControl Screens structure (2)SYSTEMPROJECTSCOMMITSCREEN235 811

Chapter 5 Control Screens 5-5Chapter 5 Control Screens5-2 Channel Screens5-2 Channel ScreensOXF-R3 Logo Screen (TOP)The OXF-R3 logo screen has softke

8 Glossary of TermsAbout This ManualGlossary of TermsABS AbsoluteADC Analogue to Digital ConverterAES Audio Engineering SocietyAFL After Fader ListenA

5-6 Chapter 5 Control ScreensChapter 5 Control Screens5-2 Channel ScreensChannel Screens hierarchy, 1st levelAll the console input and output assignm

Chapter 5 Control Screens 5-7Chapter 5 Control ScreensChannel Screens hierarchy, 2nd and 3rd levelA Fast Insert set-up facility allows I/O (an input

5-8 Chapter 5 Control ScreensChapter 5 Control Screens5-2 Channel Screens5-2-1 Routing GUIRouting GUI layoutGeneralThe Routing GUI displays the chan

Chapter 5 Control Screens 5-9Chapter 5 Control ScreensDirect the cursor with the Trackerball and press the central red buttonabove the Trackerball to

5-10 Chapter 5 Control ScreensChapter 5 Control Screens5-2 Channel ScreensAssignments made to tracks which are not set up as part of a stem can berou

Chapter 5 Control Screens 5-11Chapter 5 Control ScreensI/O GUI layout5-2-2 I/O GUIThis GUI allows I/O assignments for:• MONO channels•STEREO Return

5-12 Chapter 5 Control ScreensChapter 5 Control Screens5-2 Channel ScreensIMPORTANTI/O Pop-up COLOUR CODINGThe pop-ups which allow I/O assignments ar

Chapter 5 Control Screens 5-13Chapter 5 Control ScreensNote:Indication of inputs and outputs already in useThe I/O is assigned using the GUIs illustr

5-14 Chapter 5 Control ScreensChapter 5 Control Screens5-2 Channel ScreensFigure AFigure BMIC INPUT pop-ups

Chapter 5 Control Screens 5-15Chapter 5 Control ScreensAssigning MIC INPUTSThe upper 8 blocks in the GUI entitled MIC, each with 3 clickable fieldsbe

Chapter 1 Overview 1-1Chapter 1 OverviewChapter 1 – OverviewThis chapter introduces the OXF-R3 digital audio mixing console anddescribes the main fea

5-16 Chapter 5 Control ScreensChapter 5 Control Screens5-2 Channel ScreensM/T RETURN INPUTS GUI pop-upsFigure AFigure B

Chapter 5 Control Screens 5-17Chapter 5 Control ScreensAssigning M/T INPUTSThe second 8 blocks entitled M/T, each with 2 clickable fields below, areu

5-18 Chapter 5 Control ScreensChapter 5 Control Screens5-2 Channel ScreensLINE INPUTS pop-upsFigure AFigure B

Chapter 5 Control Screens 5-19Chapter 5 Control ScreensAssigning LINE INPUTSThe middle 8 blocks entitled LINE, each with 2 clickable fields and anin

5-20 Chapter 5 Control ScreensChapter 5 Control Screens5-2 Channel ScreensCHANNEL FAST INSERTS pop-upAssigning CHANNEL INSERTSThe 8 blocks towards th

Chapter 5 Control Screens 5-21Chapter 5 Control ScreensNote:destinations. Figure A shows analogue destinations (DACs). Click on thedesired DAC numb

5-22 Chapter 5 Control ScreensChapter 5 Control Screens5-2 Channel ScreensFigure BFigure ACHANNEL INSERT pop-ups

Chapter 5 Control Screens 5-23Chapter 5 Control ScreensCHANNEL INSERT pop-upFigure CNAME – Fifth fieldClick on the fifth (lowest) field to name the

5-24 Chapter 5 Control ScreensChapter 5 Control Screens5-2 Channel ScreensM/T GROUP pop-upsFigure A - M/T GROUP FAST INSERTFigure B - M/T GROUP OUTPU

Chapter 5 Control Screens 5-25Chapter 5 Control ScreensAssigning M/T GROUP INSERTS and OUTPUTSThe 8 blocks at the bottom of the GUI entitled M/T GRP,

1-2 Chapter 1 OverviewChapter 1 Overview1-1 OverviewThe OXF-R3 is a ‘high end’ digital audio mixing console system. Itcomprises four main components

5-26 Chapter 5 Control ScreensChapter 5 Control Screens5-2 Channel ScreensGROUP O/P SAMPLE RATE CONVERTER – Third field rightThis indicator turns red

Chapter 5 Control Screens 5-27Chapter 5 Control ScreensINSERT SAMPLE RATE CONVERTER – Sixth field rightThis indicator turns red and reads “ON” when a

5-28 Chapter 5 Control ScreensChapter 5 Control Screens5-2 Channel ScreensThis GUI displays the 5 Band Equaliser, High and Low Filter curves as acomb

Chapter 5 Control Screens 5-29Chapter 5 Control Screens5-2-4 Dynamics GUIThis GUI functions in a similar manner to the Equaliser & Filters scree

5-30 Chapter 5 Control ScreensChapter 5 Control Screens5-2 Channel Screens5-2-5 Preferences GUIPREFERENCES GUI layoutGeneralClick on Preference opti

Chapter 5 Control Screens 5-31Chapter 5 Control ScreensSELECTAllows a one-shot print function of Mixer GUIs, such as I/O set-ups, usingthe SELECT but

5-32 Chapter 5 Control ScreensChapter 5 Control Screens5-2 Channel ScreensGDC DISPLAY (Global Delay Compensation)Option to set what is displayed in t

Chapter 5 Control Screens 5-33Chapter 5 Control ScreensPAN OUT RESET• RESET -Switching a Pan out will centre it if switched in again.• RESTORE - Swit

5-34 Chapter 5 Control ScreensChapter 5 Control Screens5-2 Channel ScreensPREFERENCES GUI - I/O ALIAS page layoutGeneralThis GUI allows I/O objects t

Chapter 5 Control Screens 5-35Chapter 5 Control ScreensPREFERENCES GUI - MULTITRACK SCRIBBLES page layout (Select ‘DIALOG’ at the PREFERENCES GUI)Gen

Chapter 1 Overview 1-3Chapter 1 OverviewControl ConsoleCompared with traditional console designs, the OXF-R3 offers greaterflexibility within more co

5-36 Chapter 5 Control ScreensChapter 5 Control Screens5-2 Channel ScreensPREFERENCES GUI - FAST INSERT I/O set-up page layoutGeneralThis GUI allows

Chapter 5 Control Screens 5-37Chapter 5 Control ScreensINSERT SEND – Second fieldThe second field is used to specify an I/O destination for the selec

5-38 Chapter 5 Control ScreensChapter 5 Control Screens5-2 Channel ScreensAES SAMPLE RATE CONVERTER SETUP GUIGeneralThis GUI allows Sample Rate Conve

Chapter 5 Control Screens 5-39Chapter 5 Control Screens5-2-6 MASTER GUIMASTER GUI layoutThis GUI allows assignment of:• MAIN OUTPUT BUS (4 separate

5-40 Chapter 5 Control ScreensChapter 5 Control Screens5-2 Channel ScreensMASTER GUI - MAIN OUTPUT BUS output pop-upFigure AWhilst the following desc

Chapter 5 Control Screens 5-41Chapter 5 Control Screensoutputs have been selected. When digital outputs are set, the Word Lengthis displayed here.

5-42 Chapter 5 Control ScreensChapter 5 Control Screens5-2 Channel ScreensFigure CMASTER GUI - MAIN OUTPUT BUS insert pop-upMAIN INSERT SEND – Upper

Chapter 5 Control Screens 5-43Chapter 5 Control ScreensMASTER GUI - SUPER SEND GROUPS Outputs and Inserts page layoutThis GUI allows assignment of:•S

5-44 Chapter 5 Control ScreensChapter 5 Control Screens5-2 Channel ScreensMASTER GUI - SEND OUTPUTS page layoutThis GUI allows assignment of:•SEND Bu

Chapter 5 Control Screens 5-45Chapter 5 Control ScreensMASTER GUI SCRIBBLES - CONTROL GROUP & SCRIBBLES page layoutThis GUI allows scribble name

1-4 Chapter 1 OverviewChapter 1 Overview1-1 OverviewSample installation illustrating Audio & Control Data flow1 Control Room2 Rack Room12L(LC)CSU

5-46 Chapter 5 Control ScreensChapter 5 Control Screens5-2 Channel ScreensMASTER GUI - STEREO EXTERNAL SOURCES page layoutThis GUI allows assignment

Chapter 5 Control Screens 5-47Chapter 5 Control ScreensThis GUI allows assignment of:• MULTI-FORMAT EXTERNAL SOURCE Inputs 1-6 (Select using the EXT

5-48 Chapter 5 Control ScreensChapter 5 Control Screens5-2 Channel ScreensMASTER GUI - Monitors and misc. assignments page layoutThis GUI allows assi

Chapter 6 Technical Descriptions 6-1Chapter 6 Technical DescriptionsChapter 6 – Technical DescriptionsThis chapter provides descriptions of the OXF-R

6-2 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-1 OXF-R3 System DescriptionThe OXF-R3 digital audio mixing console comprises fo

Chapter 6 Technical Descriptions 6-3Chapter 6 Technical Descriptions1 Left Hand 24 Fader Channels Section2 Central Master Section24-C-24 Control Surf

6-4 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-1 OXF-R3 System DescriptionA key feature of the OXF-R3 is that it has Assignabl

Chapter 6 Technical Descriptions 6-5Chapter 6 Technical Descriptions• ROUTINGThe Routing section splits into three areas:• Multitrack Busses 1-48•

6-6 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-2 Channels Section Panels6-2 Channels Section PanelsThe following descriptions

Chapter 6 Technical Descriptions 6-7Chapter 6 Technical Descriptions1 ACCESS Push-ButtonSelects the set of channel process and routing controls above

Chapter 1 Overview 1-5Chapter 1 Overview3 Studio4 Machine RoomGAINMADIFSMADIMASTER TCMOTIONWORKER PROTOCOLTRANSPORT 9PTCTRANSPORT 9PPCM-7050DATPCM-70

6-8 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-2 Channels Section Panels4 Upper Electronic Scribble (6 Character dot display p

Chapter 6 Technical Descriptions 6-9Chapter 6 Technical DescriptionsThe following illustration shows the left Select to Faders Panel, which islocated

6-10 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-2 Channels Section PanelsSELECT TO FADERS panel!º91524!£!¡37!∞6!¢8!§!¶ !•!™

Chapter 6 Technical Descriptions 6-11Chapter 6 Technical Descriptions1 CHANS Push-Button (Default)Allows faders to be switched to control the level s

6-12 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-2 Channels Section Panels!£ SHOW VALUE Push-ButtonAllows the display of gain/l

Chapter 6 Technical Descriptions 6-13Chapter 6 Technical DescriptionsPans panelEach of the 6 Pans Panels (3 each side of the control surface) contain

6-14 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-2 Channels Section Panels1 AFL Push-ButtonSends AFL signal to monitor LS for w

Chapter 6 Technical Descriptions 6-15Chapter 6 Technical DescriptionsThis panel allows assignment of functions to the PAN panels adjacent to it.The d

6-16 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-2 Channels Section Panels3 M/T SEND Push-ButtonAllows pans to be switched to c

Chapter 6 Technical Descriptions 6-17Chapter 6 Technical Descriptions6-2-5 Input and Equaliser PanelThis panel is divided into two distinct sections,

1-6 Chapter 1 OverviewChapter 1 Overview1-1 OverviewOXF-R3 signal flow1-3 Signal FlowCHs 1-48MICM/TLINESELECTOR 1 SELECTORS 2-7 SELECTOR 8BYPASSFILTE

6-18 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-2 Channels Section PanelsNote:Note:3 LINE Push-ButtonSelects the digital or an

Chapter 6 Technical Descriptions 6-19Chapter 6 Technical DescriptionsHigh and Low Pass Filters1 FREQ KnobsSet the turnover frequencies.2 SLOPE Push-B

6-20 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-2 Channels Section PanelsThis Panel allows control of Dynamics and Delay funct

Chapter 6 Technical Descriptions 6-21Chapter 6 Technical Descriptions3 ACCESS Push-Button(s)Allows Free Assign controls to access control of selected

6-22 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-2 Channels Section PanelsThe Dynamics Area• GATE• EXPANDER• COMPRESSOR• LIMITE

Chapter 6 Technical Descriptions 6-23Chapter 6 Technical DescriptionsFREE ASSIGN AREA ‘virtual panels’ illustrationACCESS ININININININACCESSACCESSACC

6-24 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-2 Channels Section Panels Dynamics Side-Chain EqualiserThe Side-Chain EQ is a

Chapter 6 Technical Descriptions 6-25Chapter 6 Technical DescriptionsThis panel allows control of all Multitrack functions, apart from trackrouting a

6-26 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-2 Channels Section PanelsSOURCE section3 8 Character DisplayIndicates signal

Chapter 6 Technical Descriptions 6-27Chapter 6 Technical Descriptions!¡ Definable KnobWorks in conjunction with the front/back, the surround left/rig

Chapter 1 Overview 1-7Chapter 1 OverviewMAIN OUTPUT BUS - STEREO, LCRS, 5.1 or 7.116 SUPER SEND GROUPS - MONO, STEREO, LCR, LCRS, 5.0, 5.1, 7.0 &

6-28 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-2 Channels Section PanelsThe Routing panels allow signals to be routed to Mult

Chapter 6 Technical Descriptions 6-29Chapter 6 Technical DescriptionsThe button layout mimics the Multi-Format LS set-up for easy recognitionwhen rou

6-30 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-2 Channels Section PanelsSuper Send Group O/Ps5 1/9 – 8/16 Push-ButtonsAllow

Chapter 6 Technical Descriptions 6-31Chapter 6 Technical DescriptionsThree LCD Channel Screens are provided in each channels section of theOXF-R3 con

6-32 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-2 Channels Section PanelsThis panel contains a Level control and an ON button

Chapter 6 Technical Descriptions 6-33Chapter 6 Technical Descriptions2 SOURCE Selection Push-ButtonsThe + and - Push-buttons (small square type) allo

6-34 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-2 Channels Section PanelsSource point options for SendsCH INPUTCH OUTPUTINPUT

Chapter 6 Technical Descriptions 6-35Chapter 6 Technical DescriptionsPre Fader headphones feedThe example below illustrates an in-line channel set up

6-36 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-2 Channels Section PanelsSend 1 - Post Fader headphones feedSENDS 1-24C OUTPUT

Chapter 6 Technical Descriptions 6-37Chapter 6 Technical DescriptionsPost M/T Send Fader headphones feedTo change the previous set-up to post multitr

CAUTIONInstallation has to be done by a SONY authorizedtechnician.WARNINGTo prevent fire or shock hazard, do not expose the unit torain or moisture.To

6-38 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-3 Central Section PanelsThe Master Fader panel contains a linear, touch sensit

Chapter 6 Technical Descriptions 6-39Chapter 6 Technical DescriptionsThis panel contains all the monitoring, foldback, metering andcommunications fun

6-40 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-3 Central Section Panels147!™!£!¡0986532!¢!∞!§!•!ª@º!¶CR MONITOR Section1 LEVE

Chapter 6 Technical Descriptions 6-41Chapter 6 Technical Descriptions5 LS1 Push-ButtonSelects the Main Surround Monitor LS set and inter-cancels with

6-42 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-3 Central Section PanelsOnly the LS currently on will be affected by this oper

Chapter 6 Technical Descriptions 6-43Chapter 6 Technical Descriptions•SOLO DIM LevelSets the output level of channels which are not soloed when{SOLO

6-44 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-3 Central Section PanelsCENTRE SECTION METERSThe meters in the centre section

Chapter 6 Technical Descriptions 6-45Chapter 6 Technical DescriptionsSelecting {MAIN} ensures that the Main Output Bus sources are fixed to themeters

6-46 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-3 Central Section Panels7 CHs -90dB Push-Button (Global function)Selects the

Chapter 6 Technical Descriptions 6-47Chapter 6 Technical DescriptionsExternal SourcesThe External Source selector allows selection of multiple surrou

Chapter 2 Powering the OXF-R3 2-1Chapter 2 Powering The OXF-R3Chapter 2 – Powering The OXF-R3This chapter provides step-by-step procedures for starti

6-48 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-3 Central Section Panels6 SPLIT Push-ButtonAll 6 external source selections wi

Chapter 6 Technical Descriptions 6-49Chapter 6 Technical DescriptionsStudio LSThis section allows control of 2 pairs of Studio LS. The source select

6-50 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-3 Central Section PanelsFoldback Groups 1-4The 4 Stereo Foldback Groups have f

Chapter 6 Technical Descriptions 6-51Chapter 6 Technical Descriptions1 LEVEL KnobsSet output levels for each individual Foldback Group.2 AFL Push-But

6-52 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-3 Central Section PanelsTalkback & Listen1 T/B 1 & T/B 2 Push-Buttons{

Chapter 6 Technical Descriptions 6-53Chapter 6 Technical Descriptions3 T/B GRP 1 & T/B GRP 2 Push-ButtonsAllow combinations of T/B outputs to be

6-54 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-3 Central Section PanelsSolo, AFL & PFL Modes1 SOLO Push-ButtonSets the ch

Chapter 6 Technical Descriptions 6-55Chapter 6 Technical Descriptions1!¡!º98765432!∞ALLI/OGUIsALLSTATUSGUIsALLROUTEGUIs!™ !£ !¢Upper Ancillary Push-B

6-56 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-3 Central Section Panels2 Adjust the definable knob to change the delay factor

Chapter 6 Technical Descriptions 6-57Chapter 6 Technical Descriptions5 SLAVE FADs MOVE Push-ButtonFaders slaved to Control Group faders will move acc

2-2 Chapter 2 Powering the OXF-R3Chapter 2 Powering The OXF-R32-1 OXF-R3 Start-Up ProcedureCAUTIONS:1. Before starting up the OXF-R3, check that all

6-58 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-3 Central Section Panels12 678345 9!º !¡ !ºBLower Ancillary Push-Button Bl

Chapter 6 Technical Descriptions 6-59Chapter 6 Technical Descriptions4 SOLO + CHs UNDER Push-ButtonSets a Solo mode where channels which are not solo

6-60 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-3 Central Section Panelscopy operations will be limited to static settings onl

Chapter 6 Technical Descriptions 6-61Chapter 6 Technical DescriptionsOSCILLATOR SectionThe Sine Wave oscillator source frequency and level are contro

6-62 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-3 Central Section Panels6-3-3 Control Keyboard PanelCONTROL KEYBOARDThis panel

Chapter 6 Technical Descriptions 6-63Chapter 6 Technical DescriptionsJog Wheel functionsThe Jog Wheel can be used for various functions which are set

6-64 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-3 Central Section PanelsCONTROL KEYBOARD Command LinesCommand Lines (sequences

Chapter 6 Technical Descriptions 6-65Chapter 6 Technical Descriptions{PRINT} {TITLE} {ENTER}Prints details of the current Title.Note:“Print” output c

6-66 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-3 Central Section PanelsUnlimited strings are possible in the same entrye.g.

Chapter 6 Technical Descriptions 6-67Chapter 6 Technical Descriptions{DELETE} {F1} (or other F Key) {ENTER}Deletes the F1 (or other F Key) macro sequ

Chapter 2 Powering the OXF-R3 2-3Chapter 2 Powering The OXF-R39. Log in at the Host Computer. Note that the user name and passwordbelow are the syst

6-68 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-3 Central Section Panels{PLAY} {TITLE} {ENTER} or {PLAY} {TITLE} # {ENTE

Chapter 6 Technical Descriptions 6-69Chapter 6 Technical Descriptions“CYCLE” Command Lines{CYCLE} {TITLE} {ENTER} or {CYCLE} {TITLE} # {ENTER}Pl

6-70 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-3 Central Section Panels{MAKESTATIC} # . . # {ENTER}Removes the moves data

Chapter 6 Technical Descriptions 6-71Chapter 6 Technical Descriptions“CUE” Command Line{CUE} {ENTER}Creates a new Cue in the CUES list at the current

6-72 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-3 Central Section Panels“A” & “B” Command Lines{A} {ENTER} & {B} {

Chapter 6 Technical Descriptions 6-73Chapter 6 Technical DescriptionsUsing the Numeric Key-pad to Enter TimecodeThe entry format is exactly the same

6-74 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-3 Central Section PanelsTape RemotesThe assignment of machines to Tape Remotes

Chapter 6 Technical Descriptions 6-75Chapter 6 Technical Descriptions4 SOLO Push-ButtonsAllow grouped Solo function according to the groups set up.

6-76 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-3 Central Section Panels6-3-4 Super Send Groups, Send Outputs and Multi-Format

Chapter 6 Technical Descriptions 6-77Chapter 6 Technical Descriptions0987645123SEND OUTPUTS 1-24 panel sectionThis section of the panel allows contro

2-4 Chapter 2 Powering the OXF-R3Chapter 2 Powering the OXF-R32-2 OXF-R3 Shutdown ProcedureCAUTION:Turn off or mute all monitor amplifiers connected

6-78 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-3 Central Section Panels1 1-8 Push-ButtonAssigns Sends 1-8 to the control pane

Chapter 6 Technical Descriptions 6-79Chapter 6 Technical Descriptions

6-80 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-3 Central Section Panels12!¡!º9867345

Chapter 6 Technical Descriptions 6-81Chapter 6 Technical DescriptionsSUPER SEND GROUPS (SSGs) 1-16 panel sectionThe SSGs can configured flexibly in a

6-82 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-3 Central Section PanelsIn other words, the Main Output could be set up for St

Chapter 6 Technical Descriptions 6-83Chapter 6 Technical DescriptionsMulti-Format and Monitor11111 LOCK Push-ButtonIs set locked (lit up) as default

6-84 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-3 Central Section Panels33333 SET M/T STEMS Push-ButtonAllows the format of th

Chapter 6 Technical Descriptions 6-85Chapter 6 Technical Descriptions.The {CAL} indications are accurate only if the Calibration Procedure has beenca

6-86 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-3 Central Section Panels6-3-5 Central Section FadersThe two banks of 8 Faders

Chapter 6 Technical Descriptions 6-87Chapter 6 Technical Descriptions6-3-6 Control LCD Screen PanelContains a 10.4 inch colour TFT LCD VGA screen. I

Chapter 2 Powering the OXF-R3 2-5Chapter 2 Powering the OXF-R37. To shut down the Host Computer, place the cursor in the UNIXwindow, andType: su (ca

6-88 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-3 Central Section PanelsQWERTY KEYBOARDThe QWERTY Keyboard, used to type in sp

Chapter 6 Technical Descriptions 6-89Chapter 6 Technical Descriptions6-3-8 TrackerballsTRACKERBALLSThere are two Trackerball pointing devices to allo

6-90 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-4 Meter BridgeThe standard meters used on the Meter Bridge of the OXF-R3 are a

Chapter 6 Technical Descriptions 6-91Chapter 6 Technical Descriptions3 RECORD LegendThis follows the channel Record switch function.4 S LegendIndicat

6-92 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-4 Meter Bridge6-4-2 Stereo Centre Section MetersSUPER SEND GROUPS and SEND OUT

Chapter 6 Technical Descriptions 6-93Chapter 6 Technical DescriptionsStereo Meters for SUPER SEND GROUPS and SENDS Central Stereo Meter1 Scale-60dB -

6-94 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-4 Meter Bridge7 L O/L LegendsIndicate an overload pre the fader for the bus fe

Chapter 6 Technical Descriptions 6-95Chapter 6 Technical DescriptionsSOLO and AFLTo the left of Main L/R meter, SOLO or AFL legendsindicate the curre

6-96 Chapter 6 Technical DescriptionsChapter 6 Technical Descriptions6-4 Meter Bridge ModulesThe Signal Processing (SP) Rack is one standard size for

Chapter 6 Technical Descriptions 6-97Chapter 6 Technical Descriptions6-4 Meter Bridge Modules6-6 I/O RacksThe I/O system for the OXF-R3 utilises a un

Chapter 7 Session Management 7-1Chapter 7 Session Management7-1 The BasicsChapter 7 – Session Management™Chapter 7 Contents7-1 The Basics...

7-2 Chapter 7 Session ManagementChapter 7 Session Management7-1 The Basics7-1 The BasicsHistorically, console automation systems have been used to au

Chapter 7 Session Management 7-3Chapter 7 Session ManagementGeneral Files StructureThe automation data (files) are arranged in a traditional hierarch

7-4 Chapter 7 Session ManagementChapter 7 Session Management7-2 Files Hierarchy and Automatable ControlsARTISTS/PROJECTSAre the headings for the jobs

Chapter 7 Session Management 7-5Chapter 7 Session ManagementSNAPSHOTSA SNAPSHOT is a static set-up of all the console control settings and itsinput/o

7-6 Chapter 7 Session ManagementChapter 7 Session Management7-2 Files Hierarchy and Automatable ControlsControls that can be automatedThe following c

Chapter 7 Session Management 7-7Chapter 7 Session Management7-4 Programme Material7-3 File Data StorageGeneralData for any files created is normally

7-8 Chapter 7 Session ManagementChapter 7 Session Management7-3 File Data StorageAs described previously, creating a title will require the user to e

Chapter 7 Session Management 7-9Chapter 7 Session ManagementOXF-R3 Logo screen7-5 Mixing Overview7-5-1 Getting StartedIMPORTANT:Before mixing is st

Chapter 3 Getting Started 3-1Chapter 3 Getting StartedChapter 3 – Getting StartedThis chapter gives an overview of the control surface layout andfunc

7-10 Chapter 7 Session ManagementChapter 7 Session Management7-5 Mixing OverviewArtists/Projects & Titles screen7-5-2 Name the Artist/Project and

Chapter 7 Session Management 7-11Chapter 7 Session Management2 Repeat as necessary for CUE 2, CUE 3, etc. Togive useful names to these cues later, m

7-12 Chapter 7 Session ManagementChapter 7 Session Management7-5 Mixing OverviewTo set a cue point offline1 Move the orange highlight to the desired

Chapter 7 Session Management 7-13Chapter 7 Session Management7-5-4 To Automate CutsCuts may be set up for automation in two ways: using the local {AB

7-14 Chapter 7 Session ManagementChapter 7 Session Management7-5 Mixing OverviewTo set up Cuts for automation locallySee the diagram - ‘Setting autom

Chapter 7 Session Management 7-15Chapter 7 Session Management2 READY TRIM Push-Button{READYTRIM} works in the same way as{READYABSOLUTE}. It allow

7-16 Chapter 7 Session ManagementChapter 7 Session Management7-5 Mixing OverviewTo add a new cut:Adding a new cut in between previous cuts, with noov

Chapter 7 Session Management 7-17Chapter 7 Session ManagementAdvance the out-point:Push the CUT switch and hold during the original cut,then release

7-18 Chapter 7 Session ManagementChapter 7 Session Management7-5 Mixing OverviewTo erase a cut completely:Push and hold before the original in-point

Chapter 7 Session Management 7-19Chapter 7 Session ManagementA mix, or part mix, can be saved at any time. So far, the automation data for any cuts

3-2 Chapter 3 Getting StartedChapter 3 Getting Started3-1 The Control SurfaceThe OXF-R3 comes in two configurations known as the 24-C-24 and the24-C

7-20 Chapter 7 Session ManagementChapter 7 Session Management7-5 Mixing OverviewFader controls7-5-6 To Automate Fader Moves1 Touch-sensitive fader kn

Chapter 7 Session Management 7-21Chapter 7 Session ManagementThere are four ways to drop out of WRITE when dropping back to previous moves. The butt

7-22 Chapter 7 Session ManagementChapter 7 Session Management7-5 Mixing OverviewThis functions in exactly the same way as for one faderexcept that on

Chapter 7 Session Management 7-23Chapter 7 Session Management1 Pan knob (Press for Switch)2 Red Absolute LED3 Green Trim LEDTo enable a PAN to have i

7-24 Chapter 7 Session ManagementChapter 7 Session Management7-5 Mixing OverviewMERGE/ASSEMBLE screen1 Select the ASSEMBLE softkey at the bottom ofth

Chapter 7 Session Management 7-25Chapter 7 Session Managementin the ‘FM’ section for a different ‘from’ point as aCue point or click on the timecode

7-26 Chapter 7 Session ManagementChapter 7 Session Management7-5 Mixing OverviewMultiple layers of different types on the MERGE/ASSEMBLE screenLayer

Chapter 7 Session Management 7-27Chapter 7 Session Management7-6 The Session Management™ Screen Pages7-6-1 The Start-up Logo ScreenWhen the system

7-28 Chapter 7 Session ManagementChapter 7 Session Management7-6 The Session ManagementTM Screen Pages7-6-2 The System ScreenSYSTEM screen pageThe S

Chapter 7 Session Management 7-29Chapter 7 Session ManagementTIMECODE FORMATDisplays the current timecode format. Click on it for apop-up to set an

Chapter 3 Getting Started 3-3Chapter 3 Getting StartedControl Surface Elements11111 Left hand 24 Fader Channels Section22222 Central Master Section33

7-30 Chapter 7 Session ManagementChapter 7 Session Management7-6 The Session ManagementTM Screen Pages7-6-3 The Machines ScreenMACHINES screen pageT

Chapter 7 Session Management 7-31Chapter 7 Session Management3 Click on the button to the right of the M for a pop-up allowing assignment of the new

7-32 Chapter 7 Session ManagementChapter 7 Session Management7-6 The Session ManagementTM Screen PagesUpper left status blockDisplays the current Art

Chapter 7 Session Management 7-33Chapter 7 Session ManagementTo enter a new Artist/ProjectClick on NEW or {PROJECT} {ENTER} on the ControlKeyboard fo

7-34 Chapter 7 Session ManagementChapter 7 Session Management7-6 The Session ManagementTM Screen PagesHighlight and click on or press {EDIT} for edit

Chapter 7 Session Management 7-35Chapter 7 Session ManagementThis screen page displays all the Mixes & Cues which relate to the current title.cur

7-36 Chapter 7 Session ManagementChapter 7 Session Management7-6 The Session ManagementTM Screen PagesEND TIMELocated to the right of the large timec

Chapter 7 Session Management 7-37Chapter 7 Session ManagementWhen a mix is saved, so are the static settings of thecomplete console. If the mix is r

7-38 Chapter 7 Session ManagementChapter 7 Session Management7-6 The Session ManagementTM Screen PagesCUES fieldCue points are specific listed time p

Chapter 7 Session Management 7-39Chapter 7 Session ManagementTo set Cue Points ‘On the Fly’To set a cue point ‘on the fly’, roll the tape and press{C

iPeak Inrush CurrentOXF-CP3048PS(1) Power ON, current probe method:50A (100V)110A (240V)(2) Hot switching inrush current, measured inaccordance with E

3-1 The Control Surface3-4 Chapter 3 Getting StartedOXF-R3 Assignable Channel Areas1 Left hand assignable channel controls2 Right hand assignable

7-40 Chapter 7 Session ManagementChapter 7 Session Management7-6 The Session Management™ Screen Pages7-6-6 Merge/Assemble ScreenMERGE/ASSEMBLE scree

Chapter 7 Session Management 7-41Chapter 7 Session ManagementScroll and ZoomThe time-line can be scrolled or zoomed in or outusing the independent ho

7-42 Chapter 7 Session ManagementChapter 7 Session Management7-6 The Session Management™ Screen PagesMERGE/ASSEMBLE - ADD LAYER pop-upNoteCHS must be

Chapter 7 Session Management 7-43Chapter 7 Session ManagementMultiple layers of different types on the MERGE/ASSEMBLE screenLayer typesThere are four

7-44 Chapter 7 Session ManagementChapter 7 Session Management7-6 The Session Management™ Screen PagesCommand DialogueAt the base of the screen, the U

Chapter 7 Session Management 7-45Chapter 7 Session ManagementMenu optionsMenu options available using the softkey functionsdisplayed at the foot of t

7-46 Chapter 7 Session ManagementChapter 7 Session Management7-6 The Session Management™ Screen Pages7-6-7 Track Lists ScreenTRACK LISTS page displa

Chapter 7 Session Management 7-47Chapter 7 Session ManagementTRACK LISTS screen displaying the IMPORT TRACK LIST 1 pop-upTo name ScribblesTo name or

7-48 Chapter 7 Session ManagementChapter 7 Session Management7-6 The Session Management™ Screen PagesMenu optionsMenu options available using the sof

Chapter 7 Session Management 7-49Chapter 7 Session ManagementGeneralThis screen has three pages allowing control ofSnapshots, Copy and Link functions

Chapter 3 Getting StartedChapter 3 Getting Started 3-52

7-50 Chapter 7 Session ManagementChapter 7 Session Management7-6 The Session Management™ Screen PagesDEFAULTS selector definitionsAs described, three

Chapter 7 Session Management 7-51Chapter 7 Session ManagementPress {SAVE} {SNAPSHOT} {ASNEW} {ENTER}to make a new Snapshot and a pop-up appearsdispl

7-52 Chapter 7 Session ManagementChapter 7 Session Management7-6 The Session Management™ Screen PagesMain SNAPSHOTS list fieldThe majority of the scr

Chapter 7 Session Management 7-53Chapter 7 Session ManagementTITLETitle is visible only when ARTIST/PROJECT isselected. Click on the banner to its r

7-54 Chapter 7 Session ManagementChapter 7 Session Management7-6 The Session Management™ Screen PagesCOPY and LINK in generalCopy and Link functions

Chapter 7 Session Management 7-55Chapter 7 Session ManagementQUICK LINKThis is accomplished using the lower row ofACCESS buttons, as follows:• Press

7-56 Chapter 7 Session ManagementChapter 7 Session Management7-6 The Session Management™ Screen Pages1 COPY DYN Push-ButtonThis is a latching functio

Chapter 7 Session Management 7-57Chapter 7 Session ManagementNote{USEMASK} inter-cancels with {EQA} or {EQB} or{DYNAMICS}. But {EQA}, {EQB} and

7-58 Chapter 7 Session ManagementChapter 7 Session Management7-6 The Session Management™ Screen PagesLINK GUI in generalClick on LINK in the banner a

Chapter 7 Session Management 7-59Chapter 7 Session ManagementSHOW ALL LINKSClick on SHOW ALL LINKS to display all the currentLink Groups simultaneous

3-6 Chapter 3 Getting Started3-1 The Control SurfaceChapter 3 Getting StartedOXF-R3 panel locations233687349!º!¡51!•!£!¢!™!ª!∞@¡@™!¶!§@£@º@º

7-60 Chapter 7 Session ManagementChapter 7 Session Management7-6 The Session Management™ Screen Pages7-6-10 Copy Monitor and M/T Send Fader Balance t

Chapter 7 Session Management 7-61Chapter 7 Session Management7-6-12 Machine Remotes ScreenMACHINE REMOTES screen pageGeneralThis GUI allows machines

7-62 Chapter 7 Session ManagementChapter 7 Session Management7-6 The Session Management™ Screen PagesSTATUS columnThis uses a pop-up to allow the sel

Chapter 7 Session Management 7-63Chapter 7 Session ManagementCommand DialogueAt the base of the screen, the User Command DialogueLine bar displays co

7-64 Chapter 7 Session ManagementChapter 7 Session Management7-7 Dynamic Automation MovesMotorised Fader controls7-7-1 Motorised Fader Controls7-7

Chapter 7 Session Management 7-65Chapter 7 Session ManagementTo automate moves on one FaderThere are two ways to set data to be written for fadermove

7-66 Chapter 7 Session ManagementChapter 7 Session Management7-7 Dynamic Automation MovesROLL-BACK JOIN, the four mode keys for dropping out of write

Chapter 7 Session Management 7-67Chapter 7 Session ManagementGlobal, Touch and Audition functionsSee illustration ‘Global, Touch and Audition keys’.1

7-68 Chapter 7 Session ManagementChapter 7 Session Management7-7 Dynamic Automation MovesGlobal, Touch and Audition keysABS or ready TRM to have thei

Chapter 7 Session Management 7-69Chapter 7 Session Management7 AUDITION Push-ButtonThe audition function works for any automated faderor knob which i

Chapter 3 Getting Started Chapter 3 Getting Started 3-71 Meter Bridge – Mono Meters2 Meter Bridge – Stereo Meters3 Channel Screens (6)4 Routi

7-70 Chapter 7 Session ManagementChapter 7 Session Management7-7 Dynamic Automation Moves7-7-3 To Automate CutsCuts may be set up for automation in

Chapter 7 Session Management 7-71Chapter 7 Session ManagementTo set up Cuts for automation locallySee the diagram - ‘Setting automation of Cuts local

7-72 Chapter 7 Session ManagementChapter 7 Session Management7-7 Dynamic Automation Moves2 READY TRIM Push-Button{READYTRIM} works in the same way a

Chapter 7 Session Management 7-73Chapter 7 Session ManagementTo add a new cut:Adding a new cut in between previous cuts, with nooverlap, is straightf

7-74 Chapter 7 Session ManagementChapter 7 Session Management7-7 Dynamic Automation MovesAdvance the out-point:Push the CUT switch and hold during th

Chapter 7 Session Management 7-75Chapter 7 Session ManagementTo erase a cut completely:Push and hold before the original in-point and releaseafter th

7-76 Chapter 7 Session ManagementChapter 7 Session Management7-7 Dynamic Automation Moves7-7-4 To Automate Other SwitchesThis works in exactly the s

Chapter 7 Session Management 7-77Chapter 7 Session Management7-7-5 To Automate a Pan Move (or any other knob)The principles for automating knobs are

7-78 Chapter 7 Session ManagementChapter 7 Session Management7-7 Dynamic Automation Moves7-7-6 Dropping Out of Write on Subsequent Mix Passes for Kn

Chapter 7 Session Management 7-79Chapter 7 Session Management7-7-8 Automation Off and Selective Automation IsolateAutomation Off and Isolate set-up

3-8 Chapter 3 Getting StartedChapter 3 Getting Started3-2 Fader PagingThe OXF-R3 has 48 (or 24 on a 24-C-0) channel faders on its controlsurface but

7-80 Chapter 7 Session ManagementChapter 7 Session Management7-7 Dynamic Automation Moves3 ISOL ON Push-ButtonSelect {ISOLON} to actually isolate th

Chapter 7 Session Management 7-81Chapter 7 Session Management7-7-10 Global Ready EnableGLOBAL READY ENABLE GUISetting all or a large number of cont

7-82 Chapter 7 Session ManagementChapter 7 Session Management7-7 Dynamic Automation MovesSelecting ChannelsChannels can be selected individually

Chapter 7 Session Management 7-83Chapter 7 Session ManagementNoteGlobal Ready Enable does not apply to the Centre Sectionitems in the lower part of

7-84 Chapter 7 Session ManagementChapter 7 Session Management7-8 Offline AutomationOFFLINE FADERS automation edit GUI7-8 Offline AutomationThis scree

Chapter 7 Session Management 7-85Chapter 7 Session ManagementCUES fieldThis field (lower right of screen), displays the CUESlist from the MIXES GUI.

7-86 Chapter 7 Session ManagementChapter 7 Session Management7-8 Offline AutomationOFFLINE CUTS automation edit GUITo select a number of consecutive

Chapter 7 Session Management 7-87Chapter 7 Session ManagementNote:COMMITCommit is used to confirm actions as necessary.MIN LISTThe list of cut events

7-88 Chapter 7 Session ManagementChapter 7 Session Management7-8 Offline AutomationUsing DURATION mode for New Cut DataUse the following procedure to

Chapter 7 Session Management 7-89Chapter 7 Session ManagementTwo aspects of MIDI are covered by the OXF-R3: control of external MIDI devices on up to

Chapter 3 Getting Started 3-9Chapter 3 Getting StartedOnce the appropriate bank of 24 channel faders is selected, individualchannel controls can be a

7-90 Chapter 7 Session ManagementChapter 7 Session Management7-9 MIDI7-9-2 Setting MIDI ParametersAccessing MIDI Control PagesAlthough not directly r

Chapter 7 Session Management 7-91Chapter 7 Session ManagementMIDI GUI Page and Free Assign Area (FAA) controls123

7-92 Chapter 7 Session ManagementChapter 7 Session Management7-9 MIDICHANNEL (Second field)Click on for a pop-up to select the MIDI Channel from1-16.

Chapter 7 Session Management 7-93Chapter 7 Session Management7-9-3 MIDI Bars & BeatsSYSTEM screenGeneralBars and Beats can be displayed in all pl

7-94 Chapter 7 Session ManagementChapter 7 Session Management7-9 MIDIARTISTS/PROJECTS & TITLES screen displaying EDIT TEMPO MAP pop-upDefault TEM

Chapter 7 Session Management 7-95Chapter 7 Session ManagementGeneralThe BACKUPS GUI is designed to allow the user to store work on M.O.disks for arch

7-96 Chapter 7 Session ManagementChapter 7 Session Management7-10 BackupsLayout overviewThe BACKUPS GUI primarily consists of two rows of scrolling l

Chapter 7 Session Management 7-97Chapter 7 Session ManagementBackup, Restore and Copy operationsA Backup is when the source is the Internal drive and

7-98 Chapter 7 Session ManagementChapter 7 Session Management7-10 Backups(restored XXXX) for a restore operation(copy of XXXX) for a copy operationIf

Chapter 7 Session Management 7-99Chapter 7 Session ManagementBackup, Restore and Copy procedureThis procedure applies to specified files.Note1 If a B

3-10 Chapter 3 Getting StartedChapter 3 Getting Started3-3 Assignable Channel ProcessingInput Channel & Inserts, Equaliser and Filters panelThe

7-100 Chapter 7 Session ManagementChapter 7 Session Management7-10 Backups3 Click on the desired destination file. Again, the background will behigh

Chapter 7 Session Management 7-101Chapter 7 Session ManagementGeneralThe PREFERENCES GUI gives access to a number of options availablepreviously in t

7-102 Chapter 7 Session ManagementChapter 7 Session Management7-11 PreferencesSESSION TabAUTOSAVE INTERVAL• Sets the interval, from 1 to 60 minutes,

Chapter 7 Session Management 7-103Chapter 7 Session ManagementVPANEL IS MACHINE CONTROLLER• Sets the external or virtual panel as the master machine

7-104 Chapter 7 Session ManagementChapter 7 Session Management7-11 PreferencesMUTE CHAN SENDS ON LOAD•Mutes the Channel Sends for the channels affect

Chapter 7 Session Management 7-105Chapter 7 Session ManagementUSE LOCATES FOR JOGGING• Sets an alternative method for jogging remote machines. In th

7-106 Chapter 7 Session ManagementChapter 7 Session Management7-11 PreferencesSetting up a NETWORK DRIVEEach networked drive requires a suitable name

Chapter 7 Session Management 7-107Chapter 7 Session ManagementType it in using the QWERTY Keyboard and then click on OK or{ENTER}.3 Click on MAP DRIV

7-108 Chapter 7 Session ManagementChapter 7 Session Management7-11 PreferencesGeneralThe operation of RSL involves one studio, which will be called t

Chapter 7 Session Management 7-109Chapter 7 Session ManagementMode. The new S-S settings will be visible on the P-S but can only bewritten using the

Chapter 3 Getting Started 3-11Chapter 3 Getting Started3-5 Free Assign Area and DynamicsThe Dynamics function area (lower left) contains:• GATE• EXPA

7-110 Chapter 7 Session ManagementChapter 7 Session Management7-11 Preferences2 Click on the button to the right of the MODE legend to set the status

Appendixes A-1AppendixesAppendixesSoftware Installation/Upgrades... A-2Multi-Format LS Calibra

A-2 AppendixesAppendixes Software Installation/UpgradesGeneralSoftware InstallationPlease refer to the Software Installation Procedure supplied with t

Appendixes A-3AppendixesMulti-Format LS CalibrationThe following procedure assumes that the necessary equipment, such as atest set with a precision pi

A-4 AppendixesAppendixesMulti-Format LS CalibrationCalibration ProcedureThe following calibration procedure should be carried out for each format.The

Appendixes A-5Appendixes6 Adjust the trim for the centre LS to read 0.0dB in its associated dotcharacter display.7 Adjust the overall trim, which trim

A-6 AppendixesAppendixesSpecificationsSpecificationsGeneralPerformance and Temperature RangeOperation of the complete system to performance specificat

Appendixes A-7AppendixesControl Surface ConfigurationSignal Processor Rack• Signal Processor Cards• SPLink I/O Interface Cards• DMCC Memory (Host)I/O

A-8 AppendixesAppendixesSpecificationsMono Return Channels (cont.)• Dynamics• Insertion Points• DelayBusses & Outputs• Main Output• Multitrack Bus

Appendixes A-9AppendixesAudio Specifications1Wherever dB values are specified, the following conventions apply:0dBu = 0.775V RMS Reference0dBm = 1mW

3-12 Chapter 3 Getting StartedChapter 3 Getting Started3-6 Multitrack, Routing for Multitrack, Sub-Groups and Multi-FormatRouting for Multitrack, Sup

A-10 AppendixesAppendixesSpecificationsPhantom Power• 48V for MIC inputs, individually switched from control surface.Crosstalk Between Inputs• 20H

Appendixes A-11Appendixes4 Ch Analogue LINE OutputsOutput Type• Electronic Floating type with performance identical, balanced and unbalanced. Max

A-12 AppendixesAppendixesSpecifications8 Ch Analogue LINE OutputsOutput Type• Electronic Servo type• Maximum output level into a balanced load +24dB

Appendixes A-13AppendixesSystem Signal to Noise PerformanceSince the internal architecture of the OXF-R3 is 32 bit, with a dynamicrange of greater tha

A-14 AppendixesAppendixesSpecificationsFull Channels Equaliser & FiltersSection Gain Frequency Q/Slope OvershootLF Filter -6dB Steps 20-500Hz 0 -3

Appendixes A-15AppendixesFull Channels Dynamics Side-Chain EQ:The 2 band side-chain equaliser can be inserted in :• the Dynamics Side-Chain alone• t

A-16 AppendixesAppendixesSpecificationsI/O Rack ModulesEach I/O rack contains:• 1 x Digital Link Card Module• Up to 10 Device Card Modules such as A

Appendixes A-17AppendixesMADI ConnectionsMADI connections may be made directly to the SP Rackwithout the need for I/O Racks.Inputs Outputs Con. Type N

A-18 AppendixesAppendixesSpecificationsSupplied AccessoriesOXF-CP3048: Control PanelPower Cable ... x2Operation Manual ... x1OXF-SP3000: SP RackPCI

Appendixes A-19AppendixesOperator Diagnostics are not available in this version. The followingscreen pages are included in the OXF-R3 for the use of

Chapter 3 Getting Started 3-13Chapter 3 Getting Started3-7 SendsSends 1-24 panelThere are currently 24 mono Sends that can be linked as odd/even pair

IndexIndex I-1AAncillary push-button block (lower) 6-58/60Ancillary push-button block (upper) 6-55/57Artists/projects & titles screen 7-32/34Assig

IndexIndexI-2 IndexDynamics side-chain linkingdynamics side-chain bus operation 4-21dynamics side-chain bus set-up procedure 4-21dynamics side-chain b

IndexIndex I-3oscillator section 6-61solo, AFL & PFL modes section 6-54studio LS section 6-49talkback & listen section 6-52/53Multi-format but

IndexIndexI-4 IndexSignal processing (SP) rack 1-3, 6-96Snapshots, copy & link screen 7-49adjusting offsets with faders and knobs 7-57copy 7-54/57

The material contained in this manual consists ofinformation that is the property of Sony Corporation and isintended solely for use by the purchasers

Sony CorporationB & P CompanyOXF-R3 (UC/CE)3-860-150-05(1)Printed in Japan2001.12.13 1997

iiOXF-CP3048PS onlyWARNINGThis unit has no power switch.When installing the unit, incorporate a readilyaccessible disconnect device in the fixed wirin

3-14 Chapter 3 Getting StartedChapter 3 Getting Started3-8 Select To FadersSelect to FadersThe main purpose of faders on a mixing console is to contr

Chapter 3 Getting Started 3-15Chapter 3 Getting StartedSelect To Faders panel layoutAs an example, on the SELECT TO FADERS panels, adjacent to thecha

3-16 Chapter 3 Getting StartedChapter 3 Getting Started3-8 Select To FadersExploiting this approach even further, the faders can also be assigned toc

Chapter 3 Getting Started 3-17Chapter 3 Getting Started3-9 Select To PansSelect to PansThe Pan Knobs above the faders are assignable in a similar man

3-18 Chapter 3 Getting StartedChapter 3 Getting Started3-10 Basic Console Operations3-10 Basic Console Operations3-10 Basic Console OperationsGene

Chapter 3 Getting Started 3-19Chapter 3 Getting Started1 Press {ACCESS} for the desired Channel.2 At the Input Channel & Inserts panel, press ei

3-20 Chapter 3 Getting StartedChapter 3 Getting Started3-10 Basic Console Operations3-10-2 To Set Up a Super Send Group from Channel Inputs1 Press

Chapter 3 Getting Started 3-21Chapter 3 Getting Started1 Press {ACCESS} for the desired Channel.2 At the Input Channel & Inserts panel, press ei

3-22 Chapter 3 Getting StartedChapter 3 Getting Started3-10 Basic Console Operations1 Press {ACCESS} for the desired Channel.2 Select {CHANS} on t

Chapter 3 Getting Started 3-23Chapter 3 Getting Started1 At the Send Outputs 1-24 panel in the consolecentre section, select {17-24} and then select

Table of Contents 1Table of ContentsChapter 1Overview1-1 Overview ...

3-24 Chapter 3 Getting StartedChapter 3 Getting Started3-10 Basic Console Operations3-10-6 To Equalise Signal Feeding the Multitrack1 Press {ACCESS

Chapter 3 Getting Started 3-25Chapter 3 Getting Started3-10-7 To Equalise Monitor Signal Post Multitrack1 Press {ACCESS} for the desired Channel.2

3-26 Chapter 3 Getting StartedChapter 3 Getting Started3-10 Basic Console Operations3-10-8 To Insert Dynamics Pre Multitrack Send1 Press {ACCESS}

Chapter 3 Getting Started 3-27Chapter 3 Getting Started3-10-9 To Insert Dynamics Post Multitrack Return1 Press {ACCESS} for the desired Channel.2 A

3-28 Chapter 3 Getting StartedChapter 3 Getting Started3-10 Basic Console Operations3-10-10 To Bounce Tracks123564871 Press {ACCESS} for the desir

Chapter 3 Getting Started 3-29Chapter 3 Getting Started3-10-11 To Set Up Super Send Groups from Multitrack135,9 74 8621 Press {ACCESS} for the firs

3-30 Chapter 3 Getting StartedChapter 3 Getting Started3-10 Basic Console Operations3-10-12 To Set Up a De-Esser Using Dynamics Side-Chain EQ1 Pres

Chapter 3 Getting Started 3-31Chapter 3 Getting Started3-10-13 To Link Compressor Side-Chains in a Group1 Press {ACCESS} for the first Channel to h

3-32 Chapter 3 Getting StartedChapter 3 Getting Started3-10 Basic Console Operations3-10-14 To Link Compressor Side-Chains so that One Channel

Chapter 3 Getting Started 3-33Chapter 3 Getting Started8 At the Free Assign Area & Dynamics section,select SC FM G1 in the lower window.9 All adj

Table of Contents2 Table of ContentsChapter 4Signal Paths4-1 The Basic (Default) Signal Path... 4-24-2

Chapter 4 Signal Paths 4-1Chapter 4 Signal PathsChapter 4 – Signal PathsThe OXF-R3 system can be used to build a wide variety of signal pathswith max

4-2 Chapter 4 Signal PathsChapter 4 Signal Paths4-1 The Basic (Default) Signal PathWhen the OXF-R3 is switched on, the system sets a default configur

Chapter 4 Signal Paths 4-3Chapter 4 Signal PathsMoving on from the very simple (default) channel signal path, a selectionof processing elements is av

4-4 Chapter 4 Signal PathsChapter 4 Signal Paths4-2 Stereo Mix-down Signal Path With Processing InsertedFor each channel, select {MIC} , {M/T} , or {

Chapter 4 Signal Paths 4-5Chapter 4 Signal PathsSignal flow for mix-down with processing in the channel pathINPUT CHANNEL & INSERTS0dBGAINFILTER

4-6 Chapter 4 Signal PathsChapter 4 Signal Paths4-3 Mix-down with Post Channel Fader InsertThe ability to swap functions easily enables the user to s

Chapter 4 Signal Paths 4-7Chapter 4 Signal Paths4-4 Recording to a MultitrackTo include the multitrack in the channel path, select MULTI in one of th

4-8 Chapter 4 Signal PathsChapter 4 Signal Paths4-5 In Line Channel Multitrack Recording Set-upIf FADER is not placed in any of the eight windows, it

Chapter 4 Signal Paths 4-9Chapter 4 Signal Paths4-6 In-Line Channel with Insert Post Channel Fader (Monitor Function)As with the Mix-down examples sh

Table of Contents 3Chapter 6Technical DescriptionsChapter 7Session Management™7-1 The Basics...

4-10 Chapter 4 Signal PathsChapter 4 Signal Paths4-7 SEND 1 Pre Fader Headphones FeedThe diagram shows a typical Pre Fader headphone mix set-up, wher

Chapter 4 Signal Paths 4-11Chapter 4 Signal Paths4-8 SEND 1 Post Fader Headphones FeedTo change the Pre Fader configuration to a Post Fader set-up, i

4-12 Chapter 4 Signal PathsChapter 4 Signal Paths4-9 Broadcast ModeGeneralIn ‘Broadcast Mode’ the operator is able simultaneously to:a) Mix individ

Chapter 4 Signal Paths 4-13Chapter 4 Signal PathsBroadcast Mode – Channel Input sourceBroadcast Mode – Channel Output sourceINPUT CHANNEL & INSER

4-14 Chapter 4 Signal PathsChapter 4 Signal Paths4-9 Broadcast ModeMonitoring the multitrackTo listen to the stereo Multitrack Send Monitor Bus, se

Chapter 4 Signal Paths 4-15Chapter 4 Signal PathsThe Channel Meter sources are set automatically according to thefunctions in use in the channels.4-1

4-16 Chapter 4 Signal PathsChapter 4 Signal Paths4-10 Channel MeteringNote:4-10-4 Return MonitorSelecting the {RET} button at the record remotes se

Chapter 4 Signal Paths 4-17Chapter 4 Signal Paths4-10-5 MULTI in Channel PathIf MULTI is selected in one of the 8 windows but neither {SEND} nor{RET

4-18 Chapter 4 Signal PathsChapter 4 Signal Paths4-11 Dynamics Side-Chain LinkingDynamics Side-Chain Link Right in generalThis function allows the D

Chapter 4 Signal Paths 4-19Chapter 4 Signal PathsDynamics Side-Chain Link Right set-up procedureThe buttons for this operation are located in the Fre

Table of Contents4 Table of ContentsAppendixesChapter 7Session Management™7-6 The Session Management™ Screen Pages ... 7

4-20 Chapter 4 Signal PathsChapter 4 Signal Paths4-11 Dynamics Side-Chain Linking(SC FM G1)(SC FM G1)(SC FM G1)(SC FM G1)(SC TO G1)(SC TO G1)(SC TO

Chapter 4 Signal Paths 4-21Chapter 4 Signal PathsDynamics Side-Chain Bus operationThe buttons for this operation are located in the Free Assign Area

4-22 Chapter 4 Signal PathsChapter 4 Signal Paths4-12 Mixing to the Main Output Bus4-12 Mixing to the Main Output BusSimplified signal path illustr

Chapter 4 Signal Paths 4-23Chapter 4 Signal PathsBlock Schematic of Stereo and Surround Mix-Down illustrating interconnections of all components, inc

4-24 Chapter 4 Signal PathsChapter 4 Signal Paths4-12 Mixing to the Main Output BusMaster Section set-up functionsThe 8 character dot display to the

Chapter 4 Signal Paths 4-25Chapter 4 Signal Paths2 While the system is unlocked, press the {SETMAINWIDTH} button tocheck the Main Bus width matches

4-26 Chapter 4 Signal PathsChapter 4 Signal Paths4-12 Mixing to the Main Output Bus4-12-2 Channel Signal to the Main Output1 CHANS Push-ButtonSets t

Chapter 4 Signal Paths 4-27Chapter 4 Signal PathsINSERTACCESSSOURCEMULTITRACKAFLLEVELLTRIMGROUPAFL+10CUT0RPANINSURL/RDIVINXXXXXXXXXXXXXXXX132Surround

4-28 Chapter 4 Signal PathsChapter 4 Signal Paths4-12 Mixing to the Main Output BusRouting, Stereo and Surround Panning in generalThe controls used

Chapter 4 Signal Paths 4-29Chapter 4 Signal Paths4-13 Multi-Stem Set-upMULTI-STEM in generalRecording a stem works in much the same way as recording

About This Manual 5About This ManualPurpose and intended readersThis is the operation manual for the OXF-R3 digitalaudio mixing console. It explains

4-30 Chapter 4 Signal PathsChapter 4 Signal Paths4-13 Multi-Stem Set-upBlock Schematic of Multi-Stem Scheme illustrating interconnections of all com

Chapter 4 Signal Paths 4-31Chapter 4 Signal Paths- AS SURROUND SOUND GROUP MASTERS

4-32 Chapter 4 Signal PathsChapter 4 Signal Paths4-13 Multi-Stem Set-upMaster Section set-up functionsThe 8 character dot display to the left of thi

Chapter 4 Signal Paths 4-33Chapter 4 Signal Paths1 The {LOCK} push-button is normally lit, indicating that the set-up islocked. Press to unlock, ind

4-34 Chapter 4 Signal PathsChapter 4 Signal Paths4-13 Multi-Stem Set-upTo Clear any Busses set up in StemsAs an example, to clear the bus set up as

Chapter 4 Signal Paths 4-35Chapter 4 Signal Paths

4-36 Chapter 4 Signal PathsChapter 4 Signal Paths4-13 Multi-Stem Set-upThe channels which relate to the multitrack busses in stems need to be setup

Chapter 4 Signal Paths 4-37Chapter 4 Signal Paths1 The {SEND} push-buttons relating to the Multi-Stem (multitrack)busses will be selected automatical

4-38 Chapter 4 Signal PathsChapter 4 Signal Paths4-13 Multi-Stem Set-up34 97853421FOLDDOWN6

Chapter 4 Signal Paths 4-39Chapter 4 Signal PathsNoteOnce the Stem Masters have been set up on channels make sure the centralMaster Fader is set to m