Sony STR-DA50ES User Manual

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Summary of Contents

Page 1 - Technical Background

ES Series Receivers Technical Background Version 1.1; May 25, 2005

Page 2 - ES Receivers v1.0 Page 2

ES Receivers v1.0 Page 10 As a primary manufacturer of Large Scale Integrated circuits (LSIs), Sony has the freedom to pursue innovative thinking

Page 3 - Digital home theater

ES Receivers v1.0 Page 11 • Built in DC Phase Linearizer. Where Sony's 24-bit LSI required a second chip to contain the DC Phase Linearizer,

Page 4 - S-Master Pro amplifier

ES Receivers v1.0 Page 12 Semiconductor Field Effect Transistors (MOS FETs), four per channel, for the STR-DA7100ES. The result is another measure

Page 5 - Why Digital Amplification?

ES Receivers v1.0 Page 13 The power MOS FETs in Sony's STR-DA7100ES are of a dramatically different design, 50 to 70% thinner than the trans

Page 6 - Analog Signal

ES Receivers v1.0 Page 14 be isolated from other circuits. On big amps, you'll usually find the output transistors bonded to heavy aluminum h

Page 7

ES Receivers v1.0 Page 15 Building on this experience, the redesigned MOS FETs for the STR-DA7100 use "sheet metal molecular bonding."

Page 8 - S-Master Pro Benefits

ES Receivers v1.0 Page 16 HDMI inputs and switching Home video connections represent a definite hierarchy of picture quality. At the bottom run

Page 9 - The 32-bit Upgrade

ES Receivers v1.0 Page 17 DVDTVSTRetcImage 3 cables ComponentSound Analogue 6 cablesSound Digital 1 cable i.LINK or SPDIFDVDTVSTRetcHDMI

Page 10

ES Receivers v1.0 Page 18 Next, the components communicate their input/output capabilities. Finally, the components agree on the highest av

Page 11 - MOS FET Output Transistors

ES Receivers v1.0 Page 19 Now the receiver has two sets of audio capability to consider. The receiver itself can handle 6.1 channels of very h

Page 12 - MOS FET Thermal Packaging

ES Receivers v1.0 Page 2 A new generation of A/V receivers Digital home theater continues to advance at breakneck speed. You can listen to upgr

Page 13

ES Receivers v1.0 Page 20 When you choose HDMI AUDIO [AMP], the receiver ignores the television's request for audio and submits its own au

Page 14 - Molecular Bonding

ES Receivers v1.0 Page 21 Choosing HDMI AUDIO [AMP+TV] sets up a different set of capabilities. In this case, the receiver ignores its own highe

Page 15

ES Receivers v1.0 Page 22 • AC Power. All components must be switched on in order for the system to work. You can't use HDMI connections t

Page 16 - HDMI inputs and switching

ES Receivers v1.0 Page 23 i.LINK® Digital Audio Interface From the initial launch of Super Audio Compact Disc, the 1-bit Direct Stream Digital™

Page 17 - HDMI 1 cable

ES Receivers v1.0 Page 24 Controlling the signal flow with HATS The design of the interface is exceptional because communicating six streams of

Page 18

ES Receivers v1.0 Page 25 get all the benefits of digital transmission, without the exposing the signal to the potential for jitter-induced distort

Page 19

ES Receivers v1.0 Page 26 Other New Features Analog Devices SHARC 32-bit decoding DSP Back in 1998, Sony became the first consumer products com

Page 20 - HDMI AUDIO [AMP+TV]

ES Receivers v1.0 Page 27 Under ideal conditions, the SHARC DSP's dual core processing can double the operating speed. Unfortunately, mo

Page 21 - 24 bits

ES Receivers v1.0 Page 28 STR-DA3100ES STR-DA2100ES Audio/Video Performance Series Receivers

Page 22 - ES Receivers v1.0 Page 22

ES Receivers v1.0 Page 29 Short, straight and simple chassis layout. From Sony's early days in high fidelity, our engineers have understo

Page 23 - ES Receivers v1.0 Page 23

ES Receivers v1.0 Page 3 Digital home theater and the ES Series The engineers of the Sony ES Series haven't simply witnessed the digital ho

Page 24 - ES Receivers v1.0 Page 24

ES Receivers v1.0 Page 30 Sony's Optimum Preamplification (OP) circuit improves the signal-to-noise ratio across a broad range of volume con

Page 25 - Dual i.LINK interfaces

ES Receivers v1.0 Page 31 quality. At the same time, they're environmentally friendly designs, entirely lead-free and PVC-free. Sometimes

Page 26 - Other New Features

ES Receivers v1.0 Page 32 One-plate/dual-pellet output transistors How do you combine the power of parallel output transistors with the "fo

Page 27 - A/DSD Conversion

ES Receivers v1.0 Page 33 sF Fin Heat Sinks Identical aluminum heat sink fins resonate at the same frequency, subtly degrading output transisto

Page 28 - ES Receivers v1.0 Page 28

ES Receivers v1.0 Page 34 When Sony's engineers discovered that the speaker terminal pigments and filters actually compromised anti-resonant

Page 29 - ES Receivers v1.0 Page 29

ES Receivers v1.0 Page 35 Continuing Features Of course, the latest ES Series A/V receivers reflect the lessons learned in two decades of ES Ser

Page 30 - Oversized filter capacitors

ES Receivers v1.0 Page 36 • 7.1-channel Cinema Studio EX modes (all models). Recreate the acoustics of the Hollywood dubbing stages where directo

Page 31 - Spider Ground Plate

ES Receivers v1.0 Page 37 Features and specifications Feature STR-DA7100ESSTR-DA3100ESSTR-DA2100ES STR-DA1000ESPower output, all channels driven in

Page 32 - Master In-Line Design

ES Receivers v1.0 Page 38 Sony Electronics Inc. 16530 Via Esprillo San Diego, CA 92127 www.sonystyle.com © 2005 Sony Ele

Page 33 - Low-filler speaker terminals

ES Receivers v1.0 Page 4 S-Master Pro amplifier with 32-bit DSP The video signal in home theater is increasingly digital from the latest digita

Page 34 - ES Receivers v1.0 Page 34

ES Receivers v1.0 Page 5 Why Digital Amplification? After decades of engineering practice, the limitations and awkward characteristics of tradit

Page 35 - Continuing Features

ES Receivers v1.0 Page 6 The conventional A/V receiver is anything but simple. The signal must run through a gantlet of processes and stages.

Page 36 - Conclusion

ES Receivers v1.0 Page 7 carefully at the pulses, you'll see that where the audio waveform is positive, the pulses are mostly 1. Where the au

Page 37 - Features and specifications

ES Receivers v1.0 Page 8 this way, jitter is completely eliminated—and the integrity of the original musical signal is restored. • DC Phase Line

Page 38

ES Receivers v1.0 Page 9 o Instead of isolating the power amplifier because it runs too hot, the amps can be located anywhere in the chassis that

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